#sculptures


Typography of “LOVE” by Robert Indiana

With all the cur­rent ini­tia­tives of get­ting peo­ple to go out and vote for this upcom­ing Novem­ber, I got an idea for another DIY project. Think­ing of inspi­ra­tion, I hap­pen to like how the “LOVE” sculp­ture by Robert Indi­ana stuck out. One of the tasks I needed to get me started with the project was to find the type used for it.

After a while, I found a post in the Typophile forums which for­tu­nately was the same sub­ject as my quest. From this, it seems that Claren­don Black is a good start­ing point. Though close, some tweak­ing will still have to be done by hand.

Any­ways, that’s one task down. I’m just hop­ing I can fin­ish the project weeks before Novem­ber. It’ll be a nice Design workout.

PS. Here’s a poster of Robert Indiana’s “LOVE” sculp­ture in NYC if you are dig­ging it for your digs:

Pencil Sculptures by Jennifer Maestre

These are just out of this world. Jen­nifer Maestre’s pen­cil sculp­tures are just crazy cool. It is just hard to believe how much time and plan­ning it took to get all these pen­cils together to make some­thing this cre­ative and memorable.

My sculp­tures were orig­i­nally inspired by the form and func­tion of the sea urchin. The spines of the urchin, so dan­ger­ous yet beau­ti­ful, serve as an explicit warn­ing against con­tact. The allur­ing tex­ture of the spines draws the touch in spite of the pos­si­ble con­se­quences. The ten­sion unveiled, we feel push and pull, desire and repul­sion. The sec­tions of pen­cils present aspects of sharp and smooth for two very dif­fer­ent tex­tural and aes­thetic expe­ri­ences. Para­dox and sur­prise are inte­gral in my choice of mate­ri­als. Quan­ti­ties of indus­tri­ally man­u­fac­tured objects are used to cre­ate flex­i­ble forms rem­i­nis­cent of the organic shapes of ani­mals and nature. Pen­cils are com­mon objects, here, these anony­mous objects become the struc­ture. There is true a fragility to the some­times bru­tal aspect of the sculp­tures, vul­ner­a­bil­ity that is belied by the fear­some texture…

For more infor­ma­tion about Jen­nifer Maestre and to see more unbe­liev­able pen­cil sculp­tures, check out jennifermaestre.com